Broadway continues to deliver a stellar mix of iconic hits, acclaimed revivals, and buzzy new shows this June. Below, you’ll find a full rundown of what’s playing now — including short blurbs and creative context for each — plus a look at what’s on the horizon for July.
Long-Running Favorites
Wicked (Gershwin Theatre)
A prequel to The Wizard of Oz, this blockbuster by Stephen Schwartz reimagines the origin of the Wicked Witch of the West. Joe Mantello directs; his work also includes The Humans and Assassins. Running since 2003.
The Lion King (Minskoff Theatre)
Julie Taymor’s visionary direction and costume design turned Disney’s animated hit into a global theatrical triumph. It’s one of the longest-running shows in Broadway history, known for its puppetry and African-influenced staging.
Hamilton (Richard Rodgers Theatre)
Lin-Manuel Miranda’s revolutionary musical blends hip-hop and history in a retelling of the life of Alexander Hamilton. Directed by Thomas Kail, who also helmed In the Heights and the FX series Fosse/Verdon.
Aladdin (New Amsterdam Theatre)
Disney’s colorful, crowd-pleasing musical features classic songs and dazzling stage magic. Directed by Casey Nicholaw, whose credits include The Book of Mormon and Some Like It Hot.
Chicago (Ambassador Theatre)
Now in its 50th year, this iconic Kander and Ebb musical continues to wow with its jazzy score and minimalist staging. Walter Bobbie directed the revival; Ann Reinking choreographed in Fosse’s style.
MJ: The Musical (Neil Simon Theatre)
A jukebox musical focused on Michael Jackson’s creative process, with a book by Lynn Nottage (Sweat, Clyde’s) and direction/choreography by Christopher Wheeldon (An American in Paris).
The Book of Mormon (Eugene O’Neill Theatre)
Irreverent and beloved, this musical satire from the creators of South Park (Trey Parker and Matt Stone) and Avenue Q’s Robert Lopez remains a sharp comedy staple.
& Juliet (Stephen Sondheim Theatre)
This pop-fueled remix imagines Juliet surviving the end of Shakespeare’s play and finding empowerment through a Max Martin–backed songbook (Britney Spears, Katy Perry, Backstreet Boys). Directed by Luke Sheppard.
Limited Engagements & Revivals
Glengarry Glen Ross (Palace Theatre) – Closes June 28
David Mamet’s hard-nosed classic returns with Kieran Culkin, Bob Odenkirk, and Bill Burr. Directed by Joe Mantello (also of Wicked and Three Tall Women), this revival brings new electricity to a scathing sales-floor drama.
Sunset Boulevard (St. James Theatre) – Through July 20
Nicole Scherzinger leads this revival of Andrew Lloyd Webber’s noir-infused musical, directed by Jamie Lloyd. Lloyd previously helmed stripped-down, modernized versions of Cyrano de Bergerac and The Seagull.
Oh, Mary! (Lyceum Theatre) – Closes June 28
Cole Escola’s surreal and hilarious reimagining of Mary Todd Lincoln’s personal life is both bizarre and sharply political. It became a breakout off-Broadway hit before transferring. Directed by Sam Pinkleton (Natasha, Pierre & The Great Comet of 1812).
Stephen Sondheim’s Old Friends (Samuel J. Friedman Theatre) – Closes June 29
A star-studded musical revue honoring the late Stephen Sondheim, featuring songs from Company, Sweeney Todd, and Into the Woods. Conceived by long-time collaborator Cameron Mackintosh.
New & Noteworthy
Death Becomes Her (Lunt-Fontanne Theatre)
A musical adaptation of the cult 1992 film, this dark comedy about immortality and vanity stars Megan Hilty and Jennifer Simard. Directed and choreographed by Christopher Gattelli (Newsies, The Cher Show).
Maybe Happy Ending
A charming and bittersweet love story about robots in near-future Seoul. This intimate musical was a sensation in South Korea. Directed by Michael Arden (Parade, Once on This Island), a three-time Tony nominee.
Operation Mincemeat
A British import with a comic flair, this spy musical has been compared to Six and The Play That Goes Wrong. It was developed by the UK’s SpitLip collective and has drawn praise for its smart writing and nimble cast.
Dead Outlaw
An unconventional musical centered on Elmer McCurdy, an outlaw whose body traveled across America long after his death. Music by David Yazbek (The Band’s Visit), book by Itamar Moses, direction by David Cromer.
The Picture of Dorian Gray
Sarah Snook (of Succession) plays every role in this one-woman take on Oscar Wilde’s novel. Directed by Kip Williams of the Sydney Theatre Company, known for his bold digital/theatrical hybrids.
Stranger Things: The First Shadow
A prequel to the hit Netflix series, co-written by Stranger Things creators and playwright Kate Trefry. Set in 1959 Hawkins, Indiana, with stage illusions designed by Jamie Harrison (Harry Potter and the Cursed Child).
Buena Vista Social Club
A new musical based on the Cuban music collective and album that became a global phenomenon in the late 1990s. Directed by Saheem Ali (Fat Ham) with choreography by Patricia Delgado and Justin Peck.
What’s Coming in July
Cabaret (August Wilson Theatre) – Opening July 10
Eddie Redmayne reprises his Olivier Award–winning role as the Emcee in this immersive revival of Cabaret, directed by Rebecca Frecknall. It reimagines the theater as the Kit Kat Club, bringing audiences into Weimar-era Berlin.
Suffs – Moving to Broadway
Shaina Taub’s critically acclaimed musical about the American women’s suffrage movement transfers from the Public Theater. Directed by Leigh Silverman, it mixes historical insight with contemporary political urgency.
The Great Gatsby – Gatsby continues its Broadway revival run
Directed by Marc Bruni (Beautiful: The Carole King Musical), this adaptation features new music by Florence Welch (Florence + the Machine) and Thomas Bartlett.
Here We Are – A posthumous Sondheim premiere
Stephen Sondheim’s final musical, based on films by Luis Buñuel, is expected to arrive late July. Book by David Ives, directed by Joe Mantello.
June 2025 is one of the most dynamic months Broadway has seen in years, with long-running megahits continuing to deliver and a number of limited-run productions preparing to take their final bows. Whether you’re looking for classic spectacle, sharp new storytelling, or a deep cut revival, there’s a show worth seeing before the month ends.
And with July promising major new arrivals—like Cabaret, Suffs, and the long-awaited Here We Are—now’s the time to catch up, plan ahead, and stay tuned. The curtain never really falls on Broadway. It just rises again—with something new.
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